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The Descent from the Cross
Work record

The Descent from the Cross

Simone Martini
Between 1320 and 1330 according to KMSKA; later dates have also been proposed for the Orsini Polyptych.
Dimensions
height 24 cm × width 15 cm
Inventory
260
Signature
Unknown
Current locationRoyal Museum of Fine Arts AntwerpAntwerp · Belgium

Description

Extended description

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The kneeling cardinal: an image of personal devotion

Stories and curiosities
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The ladder as the axis of the composition

Formal and compositional analysis
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Adam’s skull and the redemptive meaning of the scene

Iconography and symbolism
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A small panel for close contemplation

Technique and creative process
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Work record

Data

Date
Between 1320 and 1330 according to KMSKA; later dates have also been proposed for the Orsini Polyptych.
Dimensions
height 24 cm × width 15 cm
Inventory
260
Inscription
No consta inscripción principal en el anverso según la reproducción utilizada.

Classification

Estilos

Italian Gothic

Escuelas

Sienese School

Géneros

Religious painting

Técnicas

GildingTempera

Soportes

Wood

Current location

Royal Museum of Fine Arts Antwerp
Antwerp · Belgium

Authorship and commissioners

Authorship

Simone Martini
Simone MartiniAuthor

Commissioners

Napoleone Orsini

Cataloguing notes

Museo Real de Bellas Artes de Amberes (KMSKA), inventario 260. Título institucional habitual: Descent from the cross / La Descente de croix. Temple y oro sobre madera, dimensiones oficiales 24 × 15 cm. La obra forma parte del Políptico Orsini, pequeño retablo portátil de doble cara hoy disperso entre París, Amberes y Berlín. En la parte inferior aparece un personaje arrodillado, habitualmente identificado con el cardenal Napoleone Orsini, junto a una calavera asociada a Adán. La cronología institucional 1320–1330 difiere de otras propuestas más tardías para el conjunto.